Lubeznik Art Center Class Trip

My Art Appreciation class and Advanced Art classes visited the Lubeznik Center for the Arts in Michigan City, Indiana, and it was a valuable experience to see contemporary art in person. We explored work by Maria Bundunarena as well as an immersive installation by Luftwerk, which transformed the gallery space with light and color. The students also created artwork inspired by the exhibition. Overall, the trip gave students a chance to connect classroom discussions about contemporary art to real-world experiences, sparking thoughtful conversations.

Ceramics with Art 1 & Advanced Art

This semester, my Art 1 and Advanced Art students created ceramics, exploring handbuilding techniques like pinch pots, coil building, and slab construction, as well as experimenting with glazes. Along the way, we discussed the work of notable ceramic artists, from famous artists like Maria Martinez to contemporary local artists like Laurie Sharkus. Seeing how these artists use form, texture, and glaze to communicate ideas gave students a framework for thinking about their own work and encouraged them to take creative risks.

Thankfulness Collage with Advanced Art

Right before Thanksgiving break, my advanced students completed a mixed-media collage project focused on identity and gratitude, a chance to further develop their artistic voice as they reflected on the people, experiences, and values that shape who they are.

To ground the project in real art practice, we looked at the work of Romare Bearden, whose collages pull together memory, community, and personal narrative through layered imagery. We also briefly explored other artists who use collage and mixed media to express identity such as Faith Ringgold, Lorna Simpson, and Mickalene Thomas. This helped students see how powerful and expressive this approach can be.

For their own pieces, students combined photographs, drawings, textures, text, and found imagery to build a visual story about what they’re thankful for. They were required to include at least one element that they drew and at least one 3D element that they crafted.

The final collages feel inventive and full of personality. I love how my students used this project not only to practice mixed-media techniques, but also to express who they are and what matters most to them.

Reading Graphic Novels in the High School Art Classroom

It’s been four years since I incorporated reading and analyzing graphic novels into my high school art curriculum. While there have been challenges, I can say with certainty that it has been incredibly beneficial for my students.

I know some people may not think of comics as a serious or important medium, but graphic novels are a powerful way to teach visual literacy, explore symbolism, narrative, and art analysis.

In Art 1, we start with the graphic novel adaptation of The Graveyard Book by Neil Gaiman and Almost American Girl by Robin Ha. We dive deep into character design, as well as essential aspects of visual storytelling such as page composition, panel pacing, setting, style, and mood. I chose The Graveyard Book because it was illustrated by several different artists, which gives students a chance to discuss a variety of styles and techniques. And Almost American Girl shows how Robin Ha’s illustration style is informed by her identity and cultural experience. Together, these books provide a strong foundation as students begin developing their own drawing and design skills.

In Advanced Art, students read Collected Essex County by Jeff Lemire and the graphic novel adaptation of Speak by Laurie Halse Anderson, illustrated by E.M. Carroll. These works introduce more complex narratives and emotionally impactful visual storytelling. We analyze how the artists communicate mood, emotion, and tone, helping students see how visual choices can carry immense narrative weight. This helps to prepare them to develop their own artistic voice.

Bringing graphic novels into the classroom does more than supplement reading instruction (which, by the way, is an excellent benefit and the English teachers love it). It also teaches students to read images as critically as text, think deeply about narrative and style, and experiment with their own creative voice. It’s incredibly rewarding to watch them make these connections and realize that art isn’t just about perfect realism and mastery of technique. It’s about communication, storytelling, and style.

As someone who is currently writing and illustrating my own graphic novel, nothing excites me more than seeing students recognize that comics and graphic novels are not only valid forms of literature and art, but complex, dynamic, and absolutely worth reading!

Find Your Artistic Voice by Lisa Congdon

One of the biggest things I want my Advanced Art students to walk away with beyond excellent technical skills is a sense of who they are as artists. That’s not an easy thing to figure out for adult artists, let alone high school students. That’s where Lisa Congdon’s Find Your Artistic Voice comes in.

I love this book because it makes the idea of “voice” in art feel approachable. Congdon makes it clear that artistic voice isn’t some magical gift you’re either born with or not. Instead it’s something you develop over time by trying things, messing up, experimenting, reflecting, and noticing what sticks with you.

Another reason I wanted this book in my classroom is because it connects us to the real, contemporary art world. Congdon shares stories from working artists, and students get to see that even professionals struggle with doubt, influence, and originality. They didn’t just wake up one day with a fully formed style. They worked through the same questions my students are asking in my classroom right now.

Ultimately, I chose this book because it gives us a shared language in the studio. We can talk not just about how to make art, but why, and that’s the real leap I want my students to make.